2. In the Shade of Rome: the Imprint of Neoclassicism on Belgian Sculpture, 1820–1850
Davy Depelchin
Cover image
Charles Auguste Fraikin,
Love’s Captive (Cupid’s Captive), detail, 1845,
marble, 184 x 60 x 100 cm,
Royal Museums of Fine Art of Belgium, Brussels, inv. no. 1052